{"id":520,"date":"2022-01-09T13:21:58","date_gmt":"2022-01-09T13:21:58","guid":{"rendered":"https:\/\/annegyriteschutt.dk\/?page_id=520"},"modified":"2025-01-24T10:39:26","modified_gmt":"2025-01-24T10:39:26","slug":"om-anne","status":"publish","type":"page","link":"https:\/\/annegyriteschutt.dk\/index.php\/om-anne\/","title":{"rendered":"Om Anne – about Anne"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

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Kunsten at kunne.<\/strong><\/p>\n\n\n\n

I snart hundrede \u00e5r har den s\u00e5kaldte avantgarde kunst besk\u00e6ftiget sig med at nedbryde den klassiske tradition i kunsten. S\u00e6rligt i \u00e5rene efter 2. verdenskrig og kulminerende i dag har kunstmarkedet v\u00e6ret oversv\u00f8mmet af masseproducerede abstraktioner, installationer og konceptkunst. I dagens Danmark dominerer disse v\u00e6rker overalt p\u00e5 museer og i gallerier. Det skal her n\u00e6vnes at Danmark altid har haft ry for at v\u00e6re mindst 30 \u00e5r efter udviklingen. For der er sket noget i den store verden. Tendensen g\u00e5r tilbage til hvor man slap, til det figurative og sk\u00f8nne i kunsten. Sidst manifesteret i udstillingen \u201dWunchwelten\u201d p\u00e5 det prominente udstillingssted Schirn Kunsthalle i Frankfurt Am Main, hvis leder er ber\u00f8mt for at have en af de bedste n\u00e6ser for hvor kunsten g\u00e5r hen.<\/p>\n\n\n\n

Anne Gyrite Sch\u00fctt er g\u00e5et imod den herskende trend og har altid arbejdet i den klassiske tradition. Hun kan tegne, har altid sin skitseblok ved h\u00e5nden, og hendes med stor kunnen udf\u00f8rte malerier gengiver figurative menneskeskildringer baseret p\u00e5 hendes filosofiske betragtninger omkring tid og rum. Et hovedv\u00e6rk er Anne Gyrite Sch\u00fctts to sammenh\u00f8rende store oliebilleder forestillende en soldat p\u00e5 slagmarken henholdsvis i Middelalderen og i Nutiden. \u201dMargrethes soldater\u201d.<\/p>\n\n\n\n

Anne Gyrite Sch\u00fctt har udf\u00f8rt flere portr\u00e6tter som bestillingsarbejde af kendte personer og er fremragende p\u00e5 dette omr\u00e5de. Man kan sige, at Anne Gyrite Sch\u00fctt er pioner i den forvandling af kunstopfattelse som i \u00f8jeblikket finder sted i Europa og USA.<\/p>\n\n\n\n

Sept. O5.<\/p>\n\n\n\n

For nearly a century, the so-called avant-garde art has been engaged in breaking down the classical tradition in art. Particularly in the years following World War II, and culminating today, the art market has been flooded with mass-produced abstractions, installations, and conceptual art. In contemporary Denmark, these works dominate museums and galleries. It should be noted, that Denmark has always been known for lagging at least 30 years behind developments elsewhere.<\/p>\n\n\n\n

However, something is changing in the wider world. The trend is shifting back to where it left off\u2014towards the figurative and the beautiful in art. This was most recently demonstrated in the exhibition “Wunschwelten”<\/em> at the prominent venue Schirn Kunsthalle in Frankfurt am Main, whose director is renowned for having one of the sharpest instincts for the direction art is heading.<\/p>\n\n\n\n

Anne Gyrite Sch\u00fctt has gone against the prevailing trend and has always worked within the classical tradition. She can draw, always keeps her sketchbook at hand, and her skilfully executed paintings depict figurative representations of people, inspired by her philosophical reflections on time and space. One of her major works is a pair of large oil paintings depicting a soldier on the battlefield, respectively in the Middle Ages and in the present day: \u201cMargrethe\u2019s Soldiers.\u201d<\/em> Anne Gyrite Sch\u00fctt has also produced several commissioned portraits of notable individuals and excels in this field. One could argue that Anne Gyrite Sch\u00fctt is a pioneer in the transformation of artistic perception currently taking place across Europe and the United States.<\/p>\n\n\n\n

Finn L. Falkersby<\/p>\n\n\n\n

Kunstsamler, -kritiker og -skribent. \/Art collector, critic and writer<\/p>\n\n\n\n

(1934-2007)<\/p>\n","protected":false},"excerpt":{"rendered":"

Kunsten at kunne. I snart hundrede \u00e5r har den s\u00e5kaldte avantgarde kunst besk\u00e6ftiget sig med at nedbryde den klassiske tradition i kunsten. S\u00e6rligt i \u00e5rene efter 2. verdenskrig og kulminerende i dag har kunstmarkedet v\u00e6ret oversv\u00f8mmet af masseproducerede abstraktioner, installationer og konceptkunst. I dagens Danmark dominerer disse v\u00e6rker overalt p\u00e5…<\/p>\n

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